CAMP talk at the New Museum, New York
Friday 22nd July, 2011
7:00 pm - 9:00 pm
Lets bring some things back to the table: media/ mediation,
technology, collaboration... all things between things. Since we realize that mediation is everywhere, and is not just a feature of new media or electronic forms. The sea is a medium for trade and for piracy, an organisation (such as CAMP) is a
medium for what "messages" it can produce, electricity is a medium for not only energy, personal consumption and family life, but also global struggles around raw materials and
distribution infrastructure.
How to make art that nestles in such a world, and tries to influence it? Our own approach has been to work with the ideologies,
affordances and breaking points of "media" ranging from cycle rickshaws,
wooden ships, state records, web browsers, basic infrastructures like
water and electricity, to institutional environments such as CCTV control
rooms and archives. The capacities of these mediums are called upon to transmit, evoke or construct a larger, less
instrumental world, despite the medium's own tendency towards invisibility.
This talk, screening and discussion consists of
five proposals to go past the impoverished metaphor of "networks", and
ask what a more full-blooded love of technology could look like: for art,
collectivity and politics.
Discussant: Gunalan Nadarajan
International Seminar on Documentary Film
“A collective / inarticulate harmony.”
A video performance tour of the work in three-acts with Shaina and Ashok.
Choreographies of the Everyday and Tokyo Art Week
METABOLIC CONTAINER
Starting from 400 boxes of goods, part of a weekly, diasporic "trade" (one-way) between Batam in Indonesia, and Singapore. In which the container and its boxes are not just a carrier, but a medium. Then, a process of mixing, de-processing, upstreaming, downstreaming, imagining, inventing.
Inlaks Fine Art Awardees 2025
6 week residency with CAMP
You are invited to the Open Day of Inlaks 2025 Fine Art Awardees 6-week residency with CAMP.
From cinematic to real to game violence, to the virtualities of Dalal Street, via intertidal zones in the dark, to a frozen sculpture of a building's data. NIGHT CRASH COLD BLOOD shows the artists’ new projects developed while in residency in Mumbai.
In depth discussion of the works, 4 pm to 6 pm.
Open Day, 6 pm to 10 pm.
Bombay Tilts Down
at
The 30th Anniversary of the Museum of Contemporary Art Tokyo
Ashok S was on the selection committee for the India Foundation for the Arts (IFA) Arts Platforms Grant, 2025. Awarded projects included puppetry, DJ spaces, and AI and law.
A tour of the work with CAMP in three acts.
at
CAMP Study Day, brings together leading scholars of media, law, cinema, and visual art on the occasion CAMP's exhibition Video After Video: The Critical Media of CAMP. With Erika Balsom, Lawrence Liang, Debashree Mukherjee, Ashish Rajadhyaksha and Laura U. Marks.
at
Light Industry
7:00 pm
The first and last sections from a 6-hour-long video essay, presented live by CAMP.
Priyank Gothwal presents a series of 8 works as a physical exhibition and accompanying lecture-performance, on the experiences and abstractions of time.