You Must Change Your Life w/ Bombay Tilts Down
13m 14s looped, seven channel environment with alternating soundtracks
2022
Filmed by CCTV camera from a single-point location in South-Central Mumbai.
SYDNEY OPERA
CCTV, 102 mins
Filmed on location in February 2026 from a CCTV camera atop the White Bay Power Station
Gadigal / Waranne Country
A video performance tour of the work in three-acts with Shaina and Ashok.
Choreographies of the Everyday and Tokyo Art Week
Bombay Tilts Down
at
The 30th Anniversary of the Museum of Contemporary Art Tokyo
A tour of the work with CAMP in three acts.
Asia Pacific Triennial
with Bombay Tilts Down (2022) and A Photogenic Line, (2019) as part of Photo 24, Melbourne.
In this pair of large-scale works, CAMP explore two sides of their practice; one that produces experimental film and video, often with unusual equipment and angles of participation, and another that creates and animates archives of moving images, documents and photography.
7-channel environment. 13 mins, on loop with two alternating soundtracks
A vertical landscape movie in facets. Filmed remotely by one CCTV camera from a
single-point location atop a 35-floor building on E. Moses Road during the pandemic.
Bombay Tilts Down
13m 14s looped, seven channel environment
2022
De Appel, Amsterdam
On three screens, a city-symphony filmed by automated CCTV cameras in Amsterdam. The optical and motor capacities of these cameras are pushed to an extreme. Certain human subjects reappear near or far in the images, suggesting a form of reciprocal knowledge or intent, a secret pact between cameras and people.
The Radia Tap(e)s Act I and II
Swearing-in whispers + Hum Logos
As part of Roundtable.
Co-Artistic Directors: Nancy Adajania, Wassan Al-Khudhairi, Mami Kataoka, Sunjung Kim, Carol Yinghua Lu, and Alia Swastika
Shaina A presented a video performance, screenings, and was part of a panel on archives.
at Field Recordings 6
Screening, followed by Q and A with CAMP.
With filmmakers and scholars Helen Grace and Iqbal Barkat who also feature in the film.
Helen will introduce the film and Iqbal will lead and moderate the post-screening discussion with CAMP.
2pm to 5pm.
At the Biennale of Sydney.
Learning from 3 years of Inlaks Fine Art Awardees at CAMP.
With Anup, Vanshika, Mohit, Sheshadev and Biswajeet.
Al Jaar Qabla Al Daar
Caillou Film Festival
A conversation prompted by CAMP's Metabolic Container at the Singapore Biennale.
Shaina and Ashok present at Body Public: Through a Performance Archive, a research symposium at the Kochi Biennale, 2026.
Shaina: 100 year project, performative media, emancipated spect-actors, publics at the heart of practice.
Ashok: Types of writing as forms of attention to artwork, as distinct from gaze, listening, experience in general, or data analysis.
Marking 50 years of the Inlaks Foundation.
Shaina A went to study Film and Media arts under the Inlaks scholarship in 1999.
Shaina joined artists Sheela Gowda, Rekha Rodwittya, Indrapramit Roy, Gigi Scaria and moderator Gayatri Sinha for a conversation inaugurating Intersections- an exhibition commemorating 50 years of the Inlaks Foundation at Arthshila, Delhi.