The Radia Tap(e)s
Act I: Swearing-in Whispers
Screenplay 95 pages and IVR
Act II: Hum Logos
text and phone audio, 45 mins
at
Citizen-Artist: Forms of Address
Curated by Geeta Kapur
Chemould Prescott Road
Queens Mansion
Fort, Mumbai
14-10-2013 to 14-11-2013
Act II (Hum Logos) is a 45-minute audio film spliced from the Pad.ma collection of the Radia Tapes. It covers two months after the Indian general elections of 2009, with the new cabinet in power. The film asks: if debate around these tapes was about whether they are edited or not, or as Justice Mukhopadhay put it, "splice has been added", then what can further editing do?
A project of listening, including with our ears, to some materials that seem to not touch us directly, but make up our "environment".
CheMoulding Part II - FUTURING
60 years of Chemould Gallery
+
CAMP invites:
Mohit Shelare, Curve away from Desire.
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himanshu S and aqui T, Parallel Universe.
with Khorshed and Kekoo Gandhy
for CheMoulding Part II - FUTURING.
60 years of Chemould Gallery
You Must Change Your Life w/ Bombay Tilts Down
Shaina A presented a video performance, screenings, and was part of a panel on archives.
at Field Recordings 6
Screening, followed by Q and A with CAMP.
With filmmakers and scholars Helen Grace and Iqbal Barkat who also feature in the film.
Helen will introduce the film and Iqbal will lead and moderate the post-screening discussion with CAMP.
2pm to 5pm.
At the Biennale of Sydney.
Learning from 3 years of Inlaks Fine Art Awardees at CAMP.
With Anup, Vanshika, Mohit, Sheshadev and Biswajeet.
Al Jaar Qabla Al Daar
Caillou Film Festival
A conversation prompted by CAMP's Metabolic Container at the Singapore Biennale.
SYDNEY OPERA
CCTV, 102 mins
Filmed on location in February 2026 from a CCTV camera atop the White Bay Power Station
Gadigal / Waranne Country
Shaina and Ashok present at Body Public: Through a Performance Archive, a research symposium at the Kochi Biennale, 2026.
Shaina: 100 year project, performative media, emancipated spect-actors, publics at the heart of practice.
Ashok: Types of writing as forms of attention to artwork, as distinct from gaze, listening, experience in general, or data analysis.