The Annotated 'Gujarat and the Sea' Exhibition (2011)
and
Descendant (2014)
in
And I laid traps for the troubadours who get killed before the reached Bombay
at Clark House, Bombay
February 7 to May 30, 2014
Curated by Emilie Villez, Zasha Colah & Sumesh Sharma
An exhibition made of photos of another exhibition, titled Gujarat and the Sea
Which was itself made of prints of scans of maps, documents and photos.
and
a work that draws from 8mm home movies of the Clark House family, in the sequence below:

With special thanks to Aruna Sharma, who was the main reason
for her husband, late Chaturbhuj Sharma's filming hobby.
General Rehearsal
A show in three acts from the collections
of V-A-C, MMOMA and KADIST
(An exhibition building upon photos of another exhibition, and more)
You Must Change Your Life w/ Bombay Tilts Down
Shaina A presented a video performance, screenings, and was part of a panel on archives.
at Field Recordings 6
Screening, followed by Q and A with CAMP.
With filmmakers and scholars Helen Grace and Iqbal Barkat who also feature in the film.
Helen will introduce the film and Iqbal will lead and moderate the post-screening discussion with CAMP.
2pm to 5pm.
At the Biennale of Sydney.
Learning from 3 years of Inlaks Fine Art Awardees at CAMP.
With Anup, Vanshika, Mohit, Sheshadev and Biswajeet.
Al Jaar Qabla Al Daar
Caillou Film Festival
A conversation prompted by CAMP's Metabolic Container at the Singapore Biennale.
SYDNEY OPERA
CCTV, 102 mins
Filmed on location in February 2026 from a CCTV camera atop the White Bay Power Station
Gadigal / Waranne Country
Shaina and Ashok present at Body Public: Through a Performance Archive, a research symposium at the Kochi Biennale, 2026.
Shaina: 100 year project, performative media, emancipated spect-actors, publics at the heart of practice.
Ashok: Types of writing as forms of attention to artwork, as distinct from gaze, listening, experience in general, or data analysis.