A season of Footage and Films Part 2. Two Footage Films

Two Footage Films, or How to make use of a Footage Archive.

Saturday,
December 18th, 2010,
6:30 pm onwards.


1. Domestic Tourism II
Maha Maamoun, 2009
60 minutes.

2. Workers Leaving the Factory
Harun Farocki, 1995
36 minutes.

CAMP continues its winter season of screenings exploring footage both within and outside the usual capsule of "the film".  Screenings at CAMP roof, starting at 6:30 pm

Both of these films begin with a premise that sounds like a google search: to use scenes depicting 1. the pyramids and 2. workers leaving the factory. But Maha Maamoun's film, Domestic Tourism II produces effects far more politically and psychologically diverse that one would imagine by reading the premise alone. The "keyword" is then neither the whole story, nor worthless, in shaping our encounter with this surprising archive of Egyptian film.

Harun

Farocki's film "Workers Leaving The Factory" has been exhibited in different formats since 1995, including as a multi-monitor installation, 'Workers Leaving the Factory in Eleven Decades' (2006). Beginning with the 1895 shot, "Workers Leaving the Lumiere Factory in Lyon", It brings together scenes that may be only incidental to a films narrative, but in another assemblage such as here, produce a different set of identifications. We will screen both the film and a selection of clips from the installation, with a few addenda from Hindi cinema.

A season of Footage and Films Part 2. Two Footage Films
A Season of Footage and Films

CAMP presents Saturday or Sunday evening screenings through winter,
exploring footage both within and outside the usual capsule of "the
film". An experience that could be similar to watching films, or at
other times harder to digest, or slower to release, closer to the moment of
shooting, less censorious, and less fearful of finitude. Another life,
another world of viewing and listening experiences is always possible.

Many Months in Mirya

The film evokes the practice of the diary film, at once observational and reflexive, and draws power from its twin strategies of frugal economy and long duration. Screening & discussion with Renu.



CAMP Study Day

at
CAMP Study Day, brings together leading scholars of media, law, cinema, and visual art on the occasion CAMP's exhibition Video After Video: The Critical Media of CAMP. With Erika Balsom, Lawrence Liang, Debashree Mukherjee, Ashish Rajadhyaksha and Laura U. Marks.

Reading Listening Seeing, Bombay Tilts Down

A tour of the work with CAMP in three acts.

An Internet Movie about Housing in Bombay/Mumbai

at
Light Industry
7:00 pm
The first and last sections from a 6-hour-long video essay, presented live by CAMP.

TIME FLICKERS

Priyank Gothwal presents a series of 8 works as a physical exhibition and accompanying lecture-performance, on the experiences and abstractions of time.

first draft gathering

"film objects"
A gathering organised by the Delhi based artist group first draft.
Saturday from 5 pm.

Video After Video : The Critical Media of CAMP

Phantas.ma Season - II

Phantas.ma is running a season dedicated to CAMP as part of Video After Video: The Critical Media of CAMP at MoMA.
A video a day, on the site.
sign up!

The (Reshuffled) Year of the Everlasting Storm

Sunday, 7:00 pm
100 mins
Pandemic shorts by Panahi, Poitras, Apichatpong, Weiwei, and others.

A Terrible Beauty

by Iram Ghufran
50 mins, 2023
7:00 pm

Introduction and post-screening discussion with Iram Ghufran.
A science-fiction fable set in the "miracle city" of Yiwu, in one of the world's largest wholesale markets for small commodities.

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